Wednesday 15 May 2013

OUGD501 EVALUATION

1. What skills have you developed through this module and how effectively do you think you have applied them?

Last year my theoretical writing was pretty poor, I was not really happy with the standard of work I was producing but this year I feel I have improved significantly than last year. I have enjoyed most aspects of the module this year, and felt the lectures and seminars helped to develop my understanding of the world and also my practice.

I feel my research skills have improved this year. I have began to make more use of the library and relied less on the internet, I found the library very useful when it came to writing my essay, I was able to find lots of information on my chosen topic which helped to explain my views on panopticism.

2. What approaches to methods of design production have you developed and how have they informed your design development process?

For my final project I decided to experiment with a different form of media than I would usually use. I planned to carry out experiments and video the results. I had never done this before so I was a bit nervous about how it would turn out. I thought it was a bit of a risk to try something that could potentially let me down, but I thought this would be the best way to visually represent what I was trying to get across. I found this was an interesting format to work in. If I had more time I would of liked to of done a mini documentary so to speak, but time restrictions influenced me to create a publication to go along side instead. After trying out filming I realized its not quite as bad as I thought, so this has opened up a new line of work I could experiment with.
 
3. What strengths can you identify in your work and how have/will you capitalise on these?

I think one of the strengths in my work this year was the willingness to try something new and step out of my comfort zone. I tried out research methods which I would of never usually tried. Carrying out the experiments in a busy shopping center was something I was quite nervous about, but I conquered my nerves and everything went to plan, I think my hard work and dedication to the project is reflected in my work, I found the whole module a fun learning experience.

I think my theoretical writing skills has been one of my strengths this year. I'm still not that great at writing but I feel I have definitely improved. My essay is considerably better than last years attempt and I have learnt to triangulate and use a variety of different sources when writing an essay. I feel my research skills have improved also, I have used a variety of different methods this year rather than just the internet.

4. What weaknesses can you identify in your work and how will you address these in the future?

An area that could be improved on still is further engagement with the lectures, I definitely think I could carry out more independent research. I think time has been an issue this year for me I have found it difficult to balance all modules so I believe there is definitely room for improvement in that department. I plan to be more organized next year and allocate specific days for each module to make sure I have an even balance across the course.

5. Identify five things that you will do differently next time and what do you expect to gain from doing these?

Time Management 
As mentioned before time is something I need to keep an eye on. Next year I am planning on allocating specific days for each module.

Broader Research Methods
Although this year I made good use of the library and other research methods I still think there is room for a wider range techniques. This should help to inform my practice and build a strong foundation for my dissertation
 
Synthesizing Theory to Practice
This year I think my project tied in well with my essay but I still feel there is room to push it further, I think i was just touching the surface of something much bigger this year. I am sure that the mass of research next year will help to produce a publication which is well informed.

Engage more in Seminars
I think I need to take part more in class discussions I sometimes feel like what I want to say might sound ridiculous or be wrong so I tend to sit back and just observe in seminars, this should help to build my confidence discussing intellectual topics with a group of my peers.
 
Picking Briefs Carefully
I think it is important to choose briefs that challenges my skill set but also improves on it. Although it is good to try something new its not always the best idea. I will make sure I experiement with different media before I decided to just go with an idea and hope for the best.

6. How would you grade yourself in the following areas?


(5 = excellent, 4=very good, 3 = good, 2 = average, 1 = poor)


Attendance =4
Punctuality = 5
Motivation =4
Commitment =4
Quantity of Work Produced = 4
Quality of work produced = 4
Contribution to the group =2

Tuesday 14 May 2013

FINAL BOOK PUBLICATION



Here is my final Publication in the format of a CD case. The publication packaging was cut out on the laser cutter using the same black and yellow stock used for the signage in the experiments. 


 The colour scheme is consistent throughout the book which 
enhances the whole reference to CCTV surveillance signage. 


The booklet matches the packaging


All seeing Eye pattern works well, eye catching and panoptic.


If I had more time I would of printed the booklet out on some satin stock
 

Introduction


4 picture layout for each experiment


Acting up to the Camera


Keep Out


Final Version


I am happy with how the publication has turned out, the subject matter is interesting and the publication reflects the video footage well. I have tried to explain the experiments using quotes and terminology from Foucault and others in an attempt to get the idea of panopticism across. If I had more time I would of liked to have carried out more experiments.

FINISHED ESSAY


How do panoptic techniques in modern day society affect those who are subjected to them?

Panopticism is present everywhere in today’s society; England is the worlds most watched city. If it’s not the thousands of security cameras monitoring your movements then it’s the constant watch of the public, this ‘scrutiny,’ can cause a change in the way they we act, feel and even look. In a fast growing digital society it is becoming easier to monitor and register the general public. Every move we make is documented and assessed from a distance, this constant watch of the world causes a form of self discipline and change which has almost identical qualities to Bentham’s ‘Panopticon’.

The Panopticon is an ‘annular building’ with individual cells all around the outside and a giant all seeing tower in the middle with venetian blinds on the inside and outside of the windows. This provides a one-way gaze, whereby the subjects in the cells know they are being constantly watched,  “hence the major effect of the Panopticon: to induce a state of conscious and permanent visibility that assures the automatic functioning of power.” (Foucault 1977: 65) It was through this principle of isolation and constant surveillance that the Panopticon functioned. “The inmate must never know whether he is being looked at at any one moment,”(Foucault 1977: 65) its this ‘not knowing’ that causes the subjects to start correcting their behavior for fear of being watched, they are “caught up in a power situation of which they are themselves the bearers.” (Foucault 977: 65)

The Panopticon functions by using 3 separate techniques. Firstly “a strict spatial partitioning” (Foucault: 1977: 61) is needed, this prevents the ‘inmates’ from coming into contact with their fellow inhabitants, “He is seen, but he does not see; he is the object of information, never a subject of communication” (Foucault: 1977:65). The second technique he describes is ‘Surveillance’, which is a form of monitoring activity. This idea of being watched has a psychological affect, which has the power to create self-discipline within the subject. The third technique he talks about is registration, in that it allows us to identify the individual. Individuals are recorded and observed in society today; the information collected about us, is used to create a digital version of us. We can see this showing through in personalized online adverts, which we are subjected to on a regularly basis. “Computers become machines for producing retrievable identities.” (Lyon 2001: 115)

These concepts can be seen in todays CCTV surveillance, “it can be claimed that through surveillance cameras the panoptic technology of power has been electronically extended: Our cities have become enormous Panopticons.” (Lyon, 1994; Fyfe and Banister, 1998; Tabor, 2001) Foucault describes the city as a series of “disciplinary mechanism[s].” (1977) CCTV has the ability to trap, control and individualize members of the general public. Maybe CCTV is actually a form of social control, which causes people to conform to what is deemed socially acceptable. In a way, this is a restriction on our freedom. Today’s society behaves in a manner, which we have been disciplined into, rather than acting freely and without restriction. We are forced to conform to society’s rules, which have an impact on the way we view the world, the way we behave, think and look.

“He who is subjected to a field of visibility, and who knows it, assumes responsibility for the constraints of power; he makes them play spontaneously upon himself. He inscribes in himself the power relation in which he simultaneously plays both roles; he becomes the principle of his own subjection.” (Foucault 1977a: 203) What Foucault is referring to, is a form of self discipline that is caused by this “all seeing all knowing power,” which Foucault refers to as “omnipresence.” (Foucault 1977: 62) CCTV recording makes us, as individuals accountable for our actions. The fact we are being watched and judged on a daily basis, deters us from behaving in a way that society sees as unacceptable. People essentially correct their behavior as a result of this gaze. It also has the power to change the way they feel about their surroundings. CCTV cameras have the ability to both scare the subject and also provide security. This is because the presence of the cameras indicates there is something that needs to be under surveillance, but there is also the comfort that there will be someone on the other side of the lens.

Surveillance can have a very different effect in some cases. In the 2009 documentary, “We live in public,” the idea of privacy is pushed to its limits. This documentary explores the story of Internet pioneer Josh Harris, who set up a big brother style project, in which he placed more than 100 artists in a human terrarium under New York City. He installed webcams, which followed and captured every move they made, eliminating all privacy. They were provided with as much food, drink and drugs as they like. But were unable to leave for over a month. This constant gaze on the ‘inmates’ resulted in some quite ‘abnormal’ behaviour.

This experiment was “a chance to display oneself under the gaze of the camera” (Ernst, 2002: 461) but this eventually was the destruction of the inhabitants.  At first the ‘inmates’ were in a state of ecstasy, there was a sense of love and compassion, there was also a constant need for attention and recognition and the subjects were essentially seeking fame, acting differently to how they may usually. “Being under the constant watch of the world influences people to carry out actions they would not usually do. They may either play up to the camera which encourages the subject or they will be more reserved and up tight” (Koskela 2003:) Throughout the documentary you can see how the behavior of the subjects rapidly changes as they begin to get sick of the cameras. They face “the constant torture of the random but ever possible gaze,” (Ainley 1998: 90) this invasion of privacy had a very negative effect, turning these highly creative people into uncreative ‘docile bodies,’ when the experiment finally got closed down by the police, the subjects left in a zombie like state, this ‘strict partition’ from the outside world caused a ‘plague’ like effect, which changed the way they thought about the world and the way they behaved. This is an extreme case of what effect panoptisicm can have on individuals and shows how the techniques used cause radical changes in behavior and personality. The experiment shows that if we continue to increasingly publicize our lives eventually we will feel the wrath of these panoptic techniques.

In some ways the Panopticism, fails without a sophisticated cultural visual language for reminding citizens that they are being watched. We have all been programmed to police each other’s actions essentially. The ‘Panopticion’ makes all acts visible but it is unable to distinguish between acts that conform to the rules and acts that pretend to conform. If it cannot tell the difference between the two, there is no threat of retribution, which means the machine fails. The majority of society will conform under the watch of CCTV but a select few will feign conformity, these people understand that even though they know their actions could be on camera, there is no definite chance that the footage will be accessed. “[t]he sheer mass of the data would be impossible to handle’”(Lyon, 2001: 52)

There is no denying that these security measures contribute towards a “disciplinary” society, but for some of these methods, rather than being security measures, can be seen as tools which allows the individual to be controlled and therefore society as a whole. (Foucault, 1977)
Foucault describes the disciplinary mechanisms as “subtle coercion for a society to come” (Foucault 1977: 209) quite surprisingly Foucault’s beliefs have become a part of how our society functions today. Many of his ideas have been carried on through various different media. We now have a society, that functions through a number of different bodies, like Hospitals, the Police, Prisons and many other organizations. All of these bodies register, classify and record us. This has been happening for a long time now; Foucaults writings have become a part of the way our world works. We are no longer anonymous, and it is becoming increasingly easier to access information about us, everywhere we go, there are panoptic forces acting upon us. As Foucault states, “visibility is a trap.” We are unable to act and behave in a manner that apposes the constraints that have been placed upon us. The question is, whether in the modern society, there is any inclination to behave in this way, or whether we have now become a predominantly accepting society of “docile bodies”, (Foucault, 1977) quietly doing as we are told and conforming to the rules without even realizing that we have been conditioned to behave this way through using a series of disciplinary mechanisms that have rooted themselves into our urban fabric.

Panopticism works in many forms. A very different instance would be the use of women in advertising, in a ‘sex sells’ society, we are subjected to hundreds of images of beautiful women on a daily basis, we see huge billboards scattered with women gazing upon us. Here a pair of seductive eyes has replaced the gaze of the CCTV camera. Although the method of delivery has changed, the results do not. This replacement gaze works quite differently on both genders. Men mainly control the media, “In this culture, the look is largely controlled by men. Privileged in general in this society, men also control the visual media. The film and television industries are dominated by men, as is the advertising industry.” (Coward 2000: 33) The use of women in advertising is mainly targeted at males, as this is an easy way to grab their attention. The images we see everyday, depict society’s perfect women, but this is actually a false representation of what the models in the adverts are really like. The majority of them have been airbrushed and photo shopped in order to enhance the bodies; outlining today’s predominantly male run society’s beliefs about the perfect body, physique, face etc. These are just ideas of what men want. In a highly visual society where looks matter, this can have a negative affect on how men view women and can create a very shallow society. In this day and age there is a clear divide between what is beautiful and what is ugly. This puts pressure on women all over the world who are faced with these images on a daily basis.

“The command created by an image obsessed culture is ‘Do some work! Transform Yourself! Look Better! Be more erotic!” (Coward 2000: 39) Women are affected in a very different way. These images cause women to question their identity and even the way they look, resulting in a large-scale mass makeover essentially, where women feel inclined to change the way they look. It also causes them to become uncomfortable with the bodies they have. “Women’s experience of sexuality rarely strays far from ideologies and feelings about self-image. There’s a preoccupation with the visual image – of self and others – and a concomitant anxiety about how these images measure up to a socially prescribed ideal” (Coward 2000: 33) This has had a huge influence, which has fueled the constant race for the perfect body, forever chasing the dream of society’s perfect woman. This has eventually lead to this size 0 trend, causing girls all over the world to go to extreme measures to change the way they look.

 “Women are compelled to make themselves attractive in certain ways, and those ways involve submitting to the cultures beliefs about appropriate sexual behavior, women’s appearances are laden down with cultural values, and women have to form their identities within these values, or with difficulty, against them.” (Coward 2000: 36).  In other words “they do to themselves what men do to them. They survey, like men, their own femininity,” (Berger 1971: 63) Women constantly think about their image and the way they are perceived, for if they do not follow these cultural values they may be seen as an outsider, so in order to “fit in” they have to take on board the male gaze, which in turn can cause women to unconsciously change the way they feel, act and behave. “A woman must continually watch herself. She is almost continually accompanied by her own image of herself…from her earliest childhood she has been taught and persuaded to survey herself continually.” (Berger 1971: 46) Women assess the way they appear to others, but realistically everything returns back to the idea of the male gaze and how they will be seen through a male point of view.

“Advertisements are one of the most important cultural factors molding and reflecting our life today. They are ubiquitous, an inevitable part of everyone’s lives: even if you do not read a newspaper or watch television, the images posted over our urban surroundings are inescapable.” (Williamson 2005: 12) Everywhere you go you are bombarded with some form of advertisement whether you’re conscious of it or not. Advertising has major panoptic qualities, we are categorized and assessed on our wants and needs, then subjected to adverts based on our desires, which in turn influence’s us to buy unnecessary items fueling our ever growing consumerist society. “Advertising sets up connections between certain types of consumers and certain products.” (Williamson 2005: 12) Advertising can be seen as form of social control, persuading and controlling the populations spending habits, dictating what’s fashionable, where to go, how to look. “It proposes to each of us that we transform ourselves, our lives, by buying something more. This more, it proposes will make us in some way richer – even though we will probably be poorer by having spent our money.” (Berger 1971: 131)

 “The camera in contemporary media has been put to use as an extension of the male gaze” (Coward 2000: 33) Adverts can quite voyeuristic in a sense; many women are simply used for their beauty, in order to attract the attention of the male eye.  This is present in many alcohol adverts, where drinking alcohol is associated with getting beautiful women. In the real world this has no direct link at all, but advertisers target their audiences’ unconscious desires, which creates a need for the product, and the lifestyle that comes with it. “Advertisements must take into account not only the inherent qualities and attributes of the products but also the way in which they can make those properties mean something to us” (Williamson 2005: 12)

There is no doubt about it that our cities have essentially turned into giant Panopticons, we are all seen, we are all known, and we are all documented. The panoptic forces we experience every day have the ability to not only change the way we act and feel but can also influence the way we behave. We are subjected to panoptic techniques in many different forms, and the outcome of the gaze all depends on the method of delivery. CCTV has the power to dictate the way we move around a space, but also has the power to make us feel safe or even scared where as advertising dictates the way we look, what we buy, what’s cool and what’s not. Panopticism has become part of the way we live whether we are aware of it or not. It can be seen in many aspects of society today and it is only becoming increasingly more present as technology increases. In a digital world, we are no longer anonymous; we are now exposed to more forms of social control than ever before, and all of these factors are an attempt to create a society of ‘docile bodies,’ programmed to follow orders, work hard, consume, look good and don’t ask questions.


Bibliography

Ainley, R. (1998) Watching the detectors: control and the Panopticon. In R. Ainley (ed.) New Frontiers of Space, Bodies and Gender. London: Routledge, 88-100.

Coward, R. (2000) “The Look,” in Thomas, J. (ed.) Reading Images, Casingstoke: Palgrave, pages 33-39

Ernst, W. (2002) Beyond the rhetoric of panopticism: surveillance as cybernetics. In T.Y.Levin, U. Frohne and P. Weibel (eds.) CTRL[SPACE]: Rhetorics of Surveillance from Bentham to Big Brother. ZKM Centre for Art and Media: Karlsruhe, 460-463.

Berger, J. (1971) Ways of Seeing. London: Penguin Books.

Foucault, M. (1977) Discipline and Punish: The Birth of a Prison. London: Penguin Books.

Lyon, D. (1994) The Electronic Eye: The Rise of Surveillance Society. Cambridge: Polity Press.

Lyon, D. (2001) Surveillance Society: Monitoring Everyday Life. Buckingham: Open University Press.

Fyfe, N.R. and J. Bannister (1998) ‘the eyes upon the street“: closed-circuit television surveillance and the city. In N.R. Fyfe (ed.) Images of the Street: Representation, Experience and Control in Public Space. London: Routledge, 254-267.

Koeskela, H (2003) ‘Cam Era’  – the contemporary urban Panopticon, Surveillance & Society 1(3): 292-313

Tabor, P. (2001) I am a videocam. In I.Borden J.Kerr J.Rendell and A. Pivaro (eds.) The  Unknown City: Contesting Architecture and Social Space. Cambridge, Massachusetts: The MIT Press, 122-137.

Williamson, J. (2005) Decoding Advertisements: Ideology and Meaning in Advertisements. London: Marion Boyars Publishers Ltd

Monday 13 May 2013

PUBLICATION 1st PRINT ERRORS & NET DEVELOPMENT

ERRORS


After printing out my booklet I realized I had a few errors in the publication. I had not extended the black box to extents of the bleed so when it came to rimming the book down there was a white strip at the top of the page.
 

After Speaking with Richard he advised that I added a page on why I have chosen to carry out the experiment in a shopping center so I changed this page which didn't really fit with the other picture formats anyway as are all displayed in a 2x2 format.


This is the updated version with a section on why I have chosen those locations


Panopticism explanation - I added this section in order to teach the audience about the 3 panoptic techniques.

CD NET DEVELOPMENT


Another Laser Cutting Sesh

 I drew out the net on illustrator in order to make sure I would get a neat cut out net.
I also drew out the logo to cut out of different card.
 

Laser Cut Net


I cut various different pieces out on the laser cutter. I had to experiment with different material settings as I had trouble cutting through at some points and then problems with burning paper to top it off. It took a while to find the right balance, as the burn marks ruined the quality.



Here is the final outcome. I am happy with the design and the finish it stands and represents panopticism well.

CCTV FOOTAGE EDITING

 1st Cut



This is the first version of the video I took the colour out to make it look a bit more like CCTV.

Youtube Help


I came across this video on you tube which helped me edit my video to look like a CCTV monitor. I did this by adding vignette lighting and a night vision setting to darken the picture and add monitor light lines across the footage. This makes the video look more authentic and fits in with the theme of the project.

Final Cut

COP PUBLICATION DEVELOPMENT WORK

The publication I was designing would fit inside your average CD case, I have decided that the format would be 116mm by 120mm so that it will fit snug inside the Case. I have decided to go with the theme of yellow black and white as this is how most CCTV signs are represented and also yellow and black are warning colours and have connotations of power and order. 

FRONT COVER


 I decided the best way to represent panopticism visually would be to use the all seeing eye, as this is essentially what it is. Its the constant watch of the world, the triangle/pyramid is a shape that represents power structure and order, whilst also giving reference to Warning CCTV camera signs which are triangular. The eye refers to the constant watch.

I tweaked around with the design, trying out the stencil lettering 
as used in the props but was not really happy with the out come.
I decided the imagery was too simple so I drew a more intricit eye
which made the logo stand out more. The detail of the eye creates
a more informed gaze with the viewer.  
 I added yellow to the design to reference the CCTV signs.
 I experimented with using type but I feel 
this wasn't really that necessary. 
 Ruins the white space

 I like this version but I feel there is too much going on
Looks a bit like a illusion - reference to hypnotism & control 
 
 Pattern Experiment.

CONTENT & DESIGN

PHOTO SELECTION

I took frames from each of the videos and turned them into black and white photos in order to stick with the colour scheme and also reference a CCTV monitor. Here are a selcetion of possibilities

lost & found
 keep out
 gaze in advertising
 gaze in advertising
keep out
 intrigued passer
 women payed no attention to the box
She stood right next to it for ages and then
finally stood in the box 
slows down to read
 acting up to the camera
 came to read the sign
 slowed down
 Girl and boy friend intrigued
 one of the only people to look in the box
Young girls debated whether to look in the box
for a good minute or so 
 young boy stops for a look
 young girl smiles the camera out
 girl poses for the camera
 this lad had a quick pose
face pulling
group of girls loved the  bit of attention
more posing
 ...
couple posing
woman testing retribution
 more...
 signage
Camera
 Road markings on both sides
  Speedo


DESIGNING

After I had carried out my experiments It was time to right up my experiments. I started the book with an explanation of panoptocism which highlights the 3 panoptic techniques, with an explanation of what the tests were about and how they turned out. I used relevant quotes from my essay to explain aspects of the experiments.

 I experimented with different page formats I decided the version on the left was more versatile and
allowed for more text. The black and yellow combo would be quite heavy on the eyes and quite dull.


The black and yellow colour scheme ran through out the publication.


I tried to use simple imagery on each page to visually represent
the experiment.


I decided to center justify my text in order to represent signage which 
is generally in this format.

FONTS
 I decided to Use arial Black and Arial Rounded MT as both these fonts are used on many
government signage around the UK, they have impact and work well together.
 

To improve the visual quality of the book I greyscaled all the images in order to fit in with the colour scheme. Coloured photos ruined the aesthetics.


I wrote a small section on the digital footprint in today's society highlighting some of the ways we are documented and registered online and elsewhere. It also touches on consumerism and personal online targeted adverts which are becoming ever more present in today's society.


I also looked at examples of adverts in the trinity center which women as an extension of the gaze. These large scale provocative images are all over the trinity center. This can have an affect on the way women feel about their bodies which can have a negative effect. It can also attract the attention of males who will be influenced to buy the items for the girlfriends etc, as it gives the impression that's how they will look if they wear it.



To break up the white space I drew simple illustrations which referenced the topic.

Now for Print...