Monday, 14 November 2011

Lecture 1 - Modernity and Modernism

  • Form follows Function
  • Modernity - Industrialization, Urbanization of the city.
  • Modern artists response to the city.
  • John Ruskin
  • Use of colour was modern.
  • 20th Century modernism - Improvement, progression.
  • Paris was the most progressive city.
  • Urban life was radically different.
  • 1700 Modernity began
  • Dense cities
  • The world shrinks so to speak, trains, telephones, cinema, electricity.
  • Modernity changed peoples relationships with families and friends.
  • Cultural Race for supremacy - technology progresses
  • Process off rationality and reasoning
  • The city became an object of study
  • Eiffel tower - modern materials Raises above city as a symbol of progression.
  • It effected people in different ways, some were over whelmed others excited
  • World Time was Agreed
  • In France they knocked down the center of Paris and completely rebuilt it, Big streets, exclusive for the rich, pushed the poor out
  • Social Control.
  • The city Became relevant for the study of art.
  • Collaborative art. Paintings became about the experiences of the poor.
  • Physcologoy Kicks off - people thought the change would send people mad.
  • Monet - Dis-functional Family
  • The rich started to parade themselves about.
  • Modernism Changed people
  • Absinthe Painter - people started to drown their sorrows.
  • Photography changed paintings, - Cropped paintings.
  • Kaiserponarama - people were wiling to pay to go look at photos rather than going to look for free - technology becomes a fetish. 
  • Technology changed the world but not always for the best
  • Max Nordau
  • Cinema! - Lumiere Brothers
  • Modernist art is always anti-historic = modern is better
  • Let materials speak for themselves 
  • Sans serif fonts
  • Modernity 1750 - 1960

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