- Form follows Function
- Modernity - Industrialization, Urbanization of the city.
- Modern artists response to the city.
- John Ruskin
- Use of colour was modern.
- 20th Century modernism - Improvement, progression.
- Paris was the most progressive city.
- Urban life was radically different.
- 1700 Modernity began
- Dense cities
- The world shrinks so to speak, trains, telephones, cinema, electricity.
- Modernity changed peoples relationships with families and friends.
- Cultural Race for supremacy - technology progresses
- Process off rationality and reasoning
- The city became an object of study
- Eiffel tower - modern materials Raises above city as a symbol of progression.
- It effected people in different ways, some were over whelmed others excited
- World Time was Agreed
- In France they knocked down the center of Paris and completely rebuilt it, Big streets, exclusive for the rich, pushed the poor out
- Social Control.
- The city Became relevant for the study of art.
- Collaborative art. Paintings became about the experiences of the poor.
- Physcologoy Kicks off - people thought the change would send people mad.
- Monet - Dis-functional Family
- The rich started to parade themselves about.
- Modernism Changed people
- Absinthe Painter - people started to drown their sorrows.
- Photography changed paintings, - Cropped paintings.
- Kaiserponarama - people were wiling to pay to go look at photos rather than going to look for free - technology becomes a fetish.
- Technology changed the world but not always for the best
- Max Nordau
- Cinema! - Lumiere Brothers
- Modernist art is always anti-historic = modern is better
- Let materials speak for themselves
- Sans serif fonts
- Modernity 1750 - 1960
Monday, 14 November 2011
Lecture 1 - Modernity and Modernism
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